A Familiar Kind of Di-Dactylic Stanza with Choriambs (Notably and Surprisingly, Shockingly Naturally Following Its Famously Strict and Ironbound Laws of Composition) on A Void's Formal-Constraint-Loving Author, G.P., Using Similar Lipogrammatical Constraints to His Own Original and Brilliant Work, a Book Not Only a Fantastic Work on Its Own, but Also without Our Fifth Linguistic Symbol (Truly, Not a Solitary Slip, a Condition to which I Am Sticking Now in This Introduction)

Hickory Dickory,
OuLiPo prodigy,
La Disparition
Was his brainchild;
This opus magnus was
Touting its author as
Brilliantly wild.
The Constraints